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Teresa A. Phipps

all hallows

Even now this landscape is assembling.

The hills darken. The oxen

sleep in their blue yoke,

the fields having been

picked clean, the sheaves

bound evenly and piled at the roadside

among cinquefoil, as the toothed moon rises:

This is the barrenness

of harvest or pestilence.

And the wife leaning out the window

with her hand extended, as in payment,

and the seeds

distinct, gold, calling

Come here

Come here, little one

And the soul creeps out of the tree.

the pond

Night covers the pond with its wing. Under the ringed moon I can make out your face swimming among minnows and the small echoing stars. In the night air the surface of the pond is metal.

Within, your eyes are open. They contain a memory I recognize, as though we had been children together. Our ponies grazed on the hill, they were gray with white markings. Now they graze with the dead who wait like children under their granite breastplates, lucid and helpless:

The hills are far away. They rise up blacker than childhood. What do you think of, lying so quietly by the water? When you look that way I want to touch you, but do not, seeing as in another life we were of the same blood.

the fear of burial

In the empty field, in the morning,

the body waits to be claimed.

The spirit sits beside it, on a small rock—

nothing comes to give it form again.

Think of the body's loneliness.

At night pacing the sheared field,

its shadow buckled tightly around.

Such a long journey.

And already the remote, trembling lights of the village

not pausing for it as they scan the rows.

How far away they seem,

the wooden doors, the bread and milk

laid like weights on the table.

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