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Teresa A. Phipps

my grandmother's bed

How she pulled it out of the wall

to my amazement. How it rattled and

creaked, how it sagged in the middle

and smelled like a used-clothing store.

I was ecstatic to be sleeping on wheels!

It rolled when I moved, it trembled

when she climbed under the covers

in her flannel nightgown, kissing me

softly on the head, turning her back.

Soon I could hear her snoring next to me.

Her clogged breath roaring in my ears,

filling her tiny apartment like the ocean.

Until I, too, finally swayed and slept

while a radiator hissed in the corner

and traffic droned on Lawrence Avenue . . . 

I woke up to the color of light pouring

through the windows, the odor of soup

simmering in the kitchen, my grandmother's 

face. It felt good to be ashore again

after sleeping on rocky, unfamiliar waves.

my grandfather's poems

I remember that he wrote them backwards,

in Yiddish, in tiny, slanting, bird-like lines

that seemed to rise and climb off the page

in a flurry of winged letters, mysterious signs.

Scrupulously he copied them out

on the inside covers of his favorite books

while my sister and I romped through the house

acting like cops and robbers, cowboys and crooks,

whooping, shouting, and gunning each other down

in the hallway between rooms, mimicking fright,

staggering from wall to bloody wall before

collapsing in wild giggles at his feet.

Always he managed to quiet us again,

kissing us each on the upper part of the arm,

tucking us in . . . we never said prayers,

but later I could hear him in the next room

talking to himself in a low, tearing whisper.

All I could fathom was a haunted sound

like a rushing of waves in the distance,

or the whoosh of treetops in the back yard.

For years I fell asleep to the rhythm

of my grandfather's voice rising and falling,

filling my head with his lost, unhappy poems:

Those faint wingbeats, that hushed singing.

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