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Teresa A. Phipps

The Rain

Robert Creely

All night the sound had

come back again,

and again falls

this quiet persistent rain.

What am I to myself

that must be remembered,

insisted upon

so often? Is it

that never the ease,

even the hardness,

of rain falling

will have for me

something other than this,

something not so insistent—

am I to be locked in this

final uneasiness?

Love, if you love me,

lie next to me,

Be for me, like rain,

the getting out

of the tiredness, the fatuousness,

the semi-lust of intentional

indifference.

Be wet

with a decent happiness.

history (repeats itself)

Klaus Buhlert, Fay Lovsky, and Thomas Wilbrandt

From the Natural Born Killers Soundtrack

History repeats itself

coiling down into the future

when it's one second to twelve

the hands touch and follow deeper

History repeats itself

I didn't learn, I wouldn't listen

I couldn't see the books were on the shelf

For my concern

I never missed them

Wish I were standing by the shore

Feel the wind blow in my face

See the waves roll in for man and god

They take a bow

They know their place

I do not want to die—do not feel.

I've turned inward on myself

I can't find anything that's real

But history repeats itself.

choosing exits

Richard Fein

Given that you've come to a dead end
and are standing still at your greatest height,
peer over the ledge, peer over and choose.
The free-fall time after one possible choice
equals the square root of twice the distance
divided by the acceleration. Acceleration
is the gravity of all that's beneath your feet
pulling you down, which comes to 32 feet
per second squared, ignoring friction, of course.
Starting at your dead-end velocity of 0 would
give you 5 seconds to live with your decision,
5 seconds to consider how you can't change
your mind, once more ignoring friction, of course.
But you can never ignore friction. Friction
would be the wind slapping your face all
the way down. Or you could make another choice.
turn around and get off the roof, where
you shouldn't have gone in the first place,
exit the building by taking the elevator or stairs down, the way ordinary people leave at their day's end.

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