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Teresa A. Phipps

clock

Sometimes it really upsets me—

the way the clock's hands keep moving,

even when I'm just sitting here

not doing anything at all,

not even thinking about anything except, right now, about that clock

and how it can't keep its hands still. Even in the dark I picture it, and all

its brother and sister clocks and watches, even sundials, all those compulsive timepieces

whose only purpose seems to be to hurry me out of this world.

driving west

Though the landscape subtly changes,

the mountains are marching in place.

The grasses take on the fading

yellows of the sun,

and cows with their sumptuous eyes

litter the fields as if they had grown there.

We have driven for hours

through bluing shadows,

as if the continent itself leaned west

and we had no choice but to follow the old ruts—

the wagons and horses, the iron snort

of a locomotive. We are the pioneers

of our own histories, drawn

to the horizon as if it waited just for us

the way the young are drawn

to the future, the old to the past.

time travel

Elizabeth would choose

The Middle Ages

when cathedrals grew

like stalagmites

out of hard ground,

and rainbows coalesced

to stained glass.

David would choose the 17th century. 

He'd whisper in the ear

of Galileo about dark matter

and space explorers; he'd tell him

never mind The Church,

you're canonized in all the textbooks.

Rachel might pick the 19th century,

a country house like the ones in Jane Austen;

or a dacha perhaps, outside of Moscow,

despite the fierce cold,

not to mention the increasingly

angry peasants.

But I would simply choose May 1932 the moment I was born on the Grand Concourse.

I'd insinuate myself into the head

of that girl baby, living her life

all over again

but doing it right this time.

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