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Teresa A. Phipps

Curtains

Sometimes they are the only thing beautiful

about a hotel.

Like transients,

come winter they have a way of disappearing,

disguised as dirty light,

limp beside a puttied pane.

Then some April afternoon

a roomer jacks a window open,

a breeze intrudes,

resuscitates memory,

and suddenly they want to fly,

while men,

looking up from the street,

are deceived a moment

into thinking 

a girl in an upper story

is waving.

From "Three Nocturnes" (1)

Imperfect dreams,

each sleeper hung

on the meat hook

of a question mark,

clocks stuck

on an hour

when loneliness

seems just another

way of loving

only yourself.

What's the plural of dark?

Nighthawks

reciting a thousand names

for night,

a moon

you'd have to sort

through thousands of streetlights

to find.

From "Three Nocturnes" (3)

Pizzicato of wings

against screens ... Listen to the roar

of weed lots, or the wilds

behind illuminated billboards

where shadows of nighthawks soar

across enormous faces. You'll hear

a hunger that can't be satisfied

in an all-night diner.

Night flyers won't let night stall.

Wingbeats fan darkness

as if it were a flame

able to flare up darker still.

In phosphorescent headlights,

projected moths

in which the moon is visible 

unfurl from cocoons of oblivion;

time metamorphoses

into a perfume of black marigolds.

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