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Teresa A. Phipps

From "Anti-Memoir" (6)

Tonight, follow the mute street singer.

Unimpeded by sight, he leads

down passageways you thought deleted,

diction stripped like stolen cars,

barricades of syntax broken by emotion,

sighs of plaster dust, the haze

of white space between words. Don't pause

for punctuation, here, a comma

of indecision elides into a coma,

and, years later, one wakes

to the interminable typing of rain

in a hotel where transients waste

money good for alcohol's blue flame

on sleep. Outside, the homeless

congregate while you continue to rent

all the rooms you've left behind,

addresses one must be lost to find,

knee-deep in flooded storm drains

clogged with crushed revisions,

a shredded blizzard, a ticker tape parade

gusting from the out-turned pockets

of the dead, enough litter

to trash the future, fuel without heat,

and yet, the past combustible enough

to be compressed into a fistful of soot.

From "Anti-Memoir" (7)

Bell at an hour too late for the Angelus,

abandoned shop front with its flaking acronym:

MEAT, boarded shoe store where your foot size

is of interest to the Grand Inquisitor,

intersection where desire crossed

into obsession. To proceed further,

step by step, word by word, requires

a map of where not to go: avoid

the linearity of narrative, its illusion

of cause and effect, the chronology

of retrospect, a synonym for fate,

avoid the viaduct from which dice roll,

ghetto games of shells and shills

the cardsharps cheating at Tarot.

Avoid the past tense of the oracle,

the politics of mediums, reactionary

dictates from their silent majority,

the dead, the current plague of angels,

the collectivization of the unconscious,

the monopoly on memory controlled

by ancestors posting as Poor Souls

who promise as inheritance

the status of a victim.

windy city

The garments worn in flying dreams

were fashioned there—

overcoats that swooped like kites,

scarves streaming like vapor trails,

gowns ballooning into spinnakers.

In a city like that one might sail

through life led by a runaway hat.

The  young scattered in whatever directions

their wild hair pointed, and gusting

into one another, they fell in love.

At night, wind rippled saxophones

that hung like wind chimes

in pawnshop windows, hooting through

each horn so that the streets seemed haunted,

not by nighthawks, but by doves.

Pinwheels whirred from steeples

in place of crosses. At the pinnacles

of public buildings, snagged underclothes—

the only flag—flapped majestically.

And when it came time to disappear

one simply chose a thoroughfare

devoid of memories, raised a collar,

and turned one's back on the wind.

I remember closing my eyes

into a swirl of scuttling leaves.

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